The two girls stepped off the tram in Prahran and walked to RobertsonвЂ™s flat. Rachel met up with Robertson and the two caught a tram.ДЄ former Dance Factory student, riding the same tram that night, later told police: вЂњI remember Rachel looked quite beautiful and that she was striking in contrast with this other girl, who was plain looking.вЂќ Manny and Rachel were very close, but she kept her deadly meeting a secret. вЂњIt was strange that she was so secretive about it.вЂќ вЂњI questioned her about this and she told me not to worry about it,вЂќ Emmanuel recalled in a police statement. Her friends assumed it was a modelling job. Rachel remained guarded that day, telling her dance classmates she had a paying job that night. She was to meet her dad back at the tram terminus at 6.15pm.

The following morning, Michael Barber dropped Rachel at a tram stop. Robertson had tricked Rachel into meeting her the next evening after dance classes, offering the younger girl $100 to take part in a вЂњpsychology studyвЂќ. The night of Sunday February 28, 1999, was the last night the Barber family spent together.ДЄccording to phone records, it was Robertson who called Rachel that night. Thoroughly clean house, and steam clean carpet.вЂќ вЂќДЄnother entry read: вЂњCheck farm (including bag). Drug Rachel (toxic over mouth), put body into army bags and disfigure and dump somewhere way out. One entry read: вЂњOn the way to dance school, say that she canвЂ™t tell anyone that sheвЂ™s meeting me as IвЂ™m not allowed to give the study results to anyone - ethics - highly confidential. RobertsonвЂ™s diary would confirm this, with written entries talking of lacing pizza with вЂњdrowsy powderвЂќ. Rachel Barber had no idea of the poisoned plot to kill her. Just like the Shakespearean play, the relationship was bound for tragedy. In late 1998, the highly rated Dance Factory studio, in Richmond, accepted Rachel as a student.ДЄ fellow student named Emmanuel Carella caught her eye, and the two started a relationship.Д¬lassmates were soon calling the pair Romeo and Juliet. The infatuated Robertson once asked Michael and Elizabeth Barber if she could photograph their eldest daughter for a project she was working on.

Supreme Court judge Justice Frank Vincent would say Robertson harboured an вЂњabnormal, almost obsessional interestвЂќ in the chosen younger girl. Like the grub desperate to transform into the butterfly, Robertson - who described herself in writings as a вЂњpizza faceвЂќ with вЂњbrown oily hair and no co-ordinationвЂќ - desired to be Rachel. In RobertsonвЂ™s mind, Rachel could have been one of those models or entertainers who graced the covers of glossy teen magazines. Rachel, the diminutive dancer, seemed to have it all talent, good looks and popularity. While Robertson could never have imagined RachelвЂ™s life being other than perfect, the ingenue had struggled with studies at school and was desperately miserable when she wasnвЂ™t dancing.ДЄnd, like any kid desperate to succeed in a chosen field, she was said to fear failure.ДЄ fan of classical music since her early childhood, the 15-year-old full-time dance student possessed the required potential for a career on stage and in front of the camera.Д¬aroline Reed Robertson hated herself and her world. Rachel was everything Robertson could never be.ДЄn elfin-featured teen with emerald eyes, Rachel lived to dance and danced to live. CAROLINE Reed Robertson was a dangerous and jealous predator who, like a good hunter, studied and stalked her prey from under camouflage.ДЄ loner with manipulative and frightening tendencies, Robertson hid behind a pleasant facade.Д«y acting as friend to her intended victim, pretty dance student Rachel Barber (and RachelвЂ™s parents and younger sisters), Robertson was able to inveigle her way into the Barber familyвЂ™s circle of trust.

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